{"id":382,"date":"2016-12-13T21:20:42","date_gmt":"2016-12-14T03:20:42","guid":{"rendered":"http:\/\/ofeliayorquesta.com\/blog\/?p=382"},"modified":"2017-11-05T22:25:03","modified_gmt":"2017-11-06T04:25:03","slug":"pieza-en-una-y-dos-voces","status":"publish","type":"post","link":"https:\/\/ofeliayorquesta.com\/blog\/2016\/12\/13\/pieza-en-una-y-dos-voces\/","title":{"rendered":"Pieza en una y dos voces"},"content":{"rendered":"

Lunes y martes estuve componiendo una pieza en SuperCollider, que estaba en GbM (Sol bemol Mayor).
\nAl final, el resultado fueron dos piezas:<\/p>\n

Una voz:
\n

Dos voces:
\nhttp:\/\/ofeliayorquesta.com\/ofeliamusic\/ofeliamusic\/dosvoces.mp3<\/a><\/audio><\/p>\n

La segunda es una variaci\u00f3n de la primera, pues a\u00f1ad\u00ed la misma primera voz como segunda voz, s\u00f3lo que trasladada.<\/p>\n

Y el c\u00f3digo para la primera voz, lo puedes ver a continuaci\u00f3n.<\/p>\n


\n(
\nSynthDef(\\bass, { |freq = 440, gate = 1, amp = 0.5, slideTime = 0.17, ffreq = 1100, width = 0.15,
\n detune = 1.005, preamp = 4|
\n var sig,
\n env = Env.adsr(0.01, 0.3, 0.4, 0.1);
\n freq = Lag.kr(freq, slideTime);
\n sig = Mix(VarSaw.ar([freq, freq * detune], 0, width, preamp)).distort * amp
\n * EnvGen.kr(env, gate, doneAction: 2);
\n sig = LPF.ar(sig, ffreq);
\n Out.ar(0, sig ! 2)
\n}).add;
\n)<\/p>\n

TempoClock.default.tempo = 100\/60;<\/p>\n

\/\/ Rola
\n(
\nPseq([<\/p>\n

\t\/\/ Parte 1
\n\tPseq([
\n\t\/\/1
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 30,
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/2
\n\tPbind(
\n \\instrument, \\bass,
\n\t\\midinote, Pseq([Pseq([37], 6), Pseq([39], 6)], 1),
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/3
\n\tPbind(
\n \\instrument, \\bass,
\n\t\\midinote, Pseq([41, 42, 44, 46, 47, 49, 51, 53, 54, 54, 54, 54],1),
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/4
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([59, 58, 56, 54, 53, 51, 49, 47, 46, 44, 42, 41],1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/5
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([66, 65, 63, 61, 59, 58, 56, 54, 53, 51, 49, 47,
\n 46, 44, 42, 41, 39, 37, 35, 34, 32, 30, 29, 27],1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 4),
\n\t\\amp, Prand(9<\/a><\/sup>, 24),
\n\t \\detune, 1.005
\n ),<\/p>\n

\t\t\/\/ Parte 2
\n\t\tPseq([
\n\t\/\/6
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 54,
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/7
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 78,
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/8
\n\tPbind(
\n \\instrument, \\bass,
\n\t\\midinote, Pseq([Pseq([77], 6), Pseq([75], 6)], 1),
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/9
\n\tPbind(
\n \\instrument, \\bass,
\n\t\\midinote, Pseq([73, 71, 70, 68, 66, 65, 63,61, 59, 58, 56, 54],1),
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/10
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([49, 51, 53, 54, 56, 58, 59, 61, 63, 65, 66, 68],1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/11
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([66, 68, 70, 71, 73, 75,77, 78, 80, 82, 83, 85,
\n 87, 89, 90, 92, 94, 95, 97, 99, 101, 102,104, 106] ,1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 4),
\n\t\\amp, Prand(9<\/a><\/sup>, 24),
\n\t \\detune, 1.005
\n ) ], 1),<\/p>\n

\t\t\/\/ Parte 3
\n\t\tPseq([
\n\t\/\/12
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 54,
\n \\dur, 0.55,
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/13
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([56, 57], 12),
\n \\dur, Pseq(22<\/a><\/sup>, 12),
\n \\legato, Pseq(2<\/a><\/sup>, 12),
\n\t \\amp, 0.5,
\n\t \\detune, Pseq(24<\/a><\/sup>, 12)
\n\t ),
\n\t\/\/14
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 58,
\n \\dur, 0.55,
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/15
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([54, 57], 12),
\n \\dur, Pseq(22<\/a><\/sup>, 12),
\n \\legato, Pseq(2<\/a><\/sup>, 12),
\n\t \\amp, 0.5,
\n\t \\detune, Pseq(24<\/a><\/sup>, 12)
\n\t ),
\n\t\/\/16
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([54, 56], 12),
\n \\dur, Pseq(22<\/a><\/sup>, 12),
\n \\legato, Pseq(2<\/a><\/sup>, 12),
\n\t \\amp, 0.5,
\n\t \\detune, Pseq(24<\/a><\/sup>, 12)
\n\t ),
\n\t\/\/17
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, Pseq([Pseq([56], 12), Pseq([54], 12)], 1),
\n \\dur, 0.55,
\n \\legato, Pseq(2<\/a><\/sup>, 4),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n )<\/p>\n

], 1),
\n\t\t\/\/ Parte 4
\n\t\tPseq([
\n\t\/\/18
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 66,
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/19
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 78,
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/20
\n\tPbind(
\n \\instrument, \\bass,
\n\t\\midinote, Pseq([Pseq([77], 6), Pseq([75], 6)], 1),
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/21
\n\tPbind(
\n \\instrument, \\bass,
\n\t\\midinote, Pseq([73, 71, 70, 68, 66, 65, 63,61, 59, 58, 56, 54],1),
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/22
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([49, 51, 53, 54, 56, 58, 59, 61, 63, 65, 66, 68],1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/23
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([66, 68, 70, 71, 73, 75,77, 78, 80, 82, 83, 85,
\n 85, 83, 82, 80, 78, 77, 75, 73, 71, 70, 68, 66] ,1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 4),
\n\t\\amp, Prand(9<\/a><\/sup>, 24),
\n\t \\detune, 1.005
\n ),
\n\t\/\/24
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([65, 63, 61, 59, 58, 56, 54, 53, 51, 49, 47, 46,
\n\t\t\t 44, 42, 41, 39, 37, 35, 34, 32, 30, 29, 27, 30],1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 4),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n )
\n], 1),
\n\t\t\/\/ Parte 5
\nPseq([
\n\t\/\/25
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 42,
\n \\dur, 0.55,
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/26
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([44, 45], 12),
\n \\dur, Pseq(22<\/a><\/sup>, 12),
\n \\legato, Pseq(2<\/a><\/sup>, 12),
\n\t \\amp, 0.5,
\n\t \\detune, Pseq(24<\/a><\/sup>, 12)
\n\t ),
\n\t\/\/27
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 46,
\n \\dur, 0.55,
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/28
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([42, 45], 12),
\n \\dur, Pseq(22<\/a><\/sup>, 12),
\n \\legato, Pseq(2<\/a><\/sup>, 12),
\n\t \\amp, 0.5,
\n\t \\detune, Pseq(24<\/a><\/sup>, 12)
\n\t ),
\n\t\/\/29
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([42, 44], 12),
\n \\dur, Pseq(22<\/a><\/sup>, 12),
\n \\legato, Pseq(2<\/a><\/sup>, 12),
\n\t \\amp, 0.5,
\n\t \\detune, Pseq(24<\/a><\/sup>, 12)
\n\t ),
\n\t\/\/30
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, Pseq([Pseq([44], 12), Pseq([42], 12)], 1),
\n \\dur, 0.55,
\n \\legato, Pseq(2<\/a><\/sup>, 4),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),<\/p>\n

], 1),
\n\t\t\/\/ Parte 6
\nPseq([
\n\t\/\/31
\n\tPbind(
\n \\instrument, \\bass,
\n \\midinote, 30,
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/32
\n\tPbind(
\n \\instrument, \\bass,
\n\t\\midinote, Pseq([Pseq([37], 6), Pseq([39], 6)], 1),
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/33
\n\tPbind(
\n \\instrument, \\bass,
\n\t\\midinote, Pseq([41, 42, 44, 46, 47, 49, 51, 53, 54, 54, 54, 54],1),
\n \\dur, Pseq(1<\/a><\/sup>, 2),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/34
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([59, 58, 56, 54, 53, 51, 49, 47, 46, 44, 42, 41],1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, 0.5,
\n\t \\detune, 1.005
\n ),
\n\t\/\/35
\n\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([66, 65, 63, 61, 59, 58, 56, 54, 53, 51, 49, 47,
\n 46, 44, 42, 41, 39, 37, 35, 34, 32, 30, 29, 27],1),
\n \\dur,0.25,
\n \\legato, Pseq(2<\/a><\/sup>, 4),
\n\t\\amp, Prand(9<\/a><\/sup>, 24),
\n\t \\detune, 1.005
\n ),<\/p>\n

], 1),
\n\t\t\/\/ Final
\n\t\/\/36
\n\t\tPbind(
\n \\instrument, \\bass,
\n\t \\midinote, Pseq([30, 54, 66], 6),
\n \\dur, Pseq(66<\/a><\/sup>, 6),
\n \\legato, Pseq(2<\/a><\/sup>, 2),
\n\t \\amp, Pseq(68<\/a><\/sup>, 6),
\n\t \\detune, 1.005
\n )<\/p>\n

]),<\/p>\n

], 1).play;
\n)
\n<\/code><\/p>\n

\n
<\/div>\n
    \n
  1. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  2. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  3. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  4. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  5. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  6. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  7. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  8. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  9. 5, 0.3, 0.2 ↵<\/a><\/span><\/li>\n
  10. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  11. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  12. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  13. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  14. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  15. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  16. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  17. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  18. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  19. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  20. 5, 0.3, 0.2 ↵<\/a><\/span><\/li>\n
  21. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  22. 5 ↵<\/a><\/span><\/li>\n
  23. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  24. 005, 1.2 ↵<\/a><\/span><\/li>\n
  25. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  26. 5 ↵<\/a><\/span><\/li>\n
  27. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  28. 005, 1.2 ↵<\/a><\/span><\/li>\n
  29. 5 ↵<\/a><\/span><\/li>\n
  30. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  31. 005, 1.2 ↵<\/a><\/span><\/li>\n
  32. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  33. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  34. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  35. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  36. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  37. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  38. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  39. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  40. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  41. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  42. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  43. 5, 0.3, 0.2 ↵<\/a><\/span><\/li>\n
  44. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  45. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  46. 5 ↵<\/a><\/span><\/li>\n
  47. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  48. 005, 1.2 ↵<\/a><\/span><\/li>\n
  49. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  50. 5 ↵<\/a><\/span><\/li>\n
  51. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  52. 005, 1.2 ↵<\/a><\/span><\/li>\n
  53. 5 ↵<\/a><\/span><\/li>\n
  54. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  55. 005, 1.2 ↵<\/a><\/span><\/li>\n
  56. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  57. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  58. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  59. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  60. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  61. 75, 0.25, 0.25, 0.25, 0.75, 0.75 ↵<\/a><\/span><\/li>\n
  62. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  63. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  64. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  65. 5, 0.3, 0.2 ↵<\/a><\/span><\/li>\n
  66. 2 ↵<\/a><\/span><\/li>\n
  67. 9, 0.3, 0.3, 0.3, 0.3, 0.9 ↵<\/a><\/span><\/li>\n
  68. 3, 0.4, 0.4 ↵<\/a><\/span><\/li>\n<\/ol>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

    Lunes y martes estuve componiendo una pieza en SuperCollider, que estaba en GbM (Sol bemol Mayor). Al final, el resultado fueron dos piezas: Una voz: Dos voces: La segunda es una variaci\u00f3n de la primera, pues a\u00f1ad\u00ed la misma primera voz como segunda voz, s\u00f3lo que trasladada. Y el c\u00f3digo para la primera voz, lo<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[20],"tags":[21],"class_list":["post-382","post","type-post","status-publish","format-standard","hentry","category-musica-por-computadora","tag-supercollider","no-featured-content"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"coup-single-post":false,"coup-archive-sticky":false,"coup-archive":false},"uagb_author_info":{"display_name":"Ofelia Negrete","author_link":"https:\/\/ofeliayorquesta.com\/blog\/author\/ofelia-negrete\/"},"uagb_comment_info":2,"uagb_excerpt":"Lunes y martes estuve componiendo una pieza en SuperCollider, que estaba en GbM (Sol bemol Mayor). Al final, el resultado fueron dos piezas: Una voz: Dos voces: La segunda es una variaci\u00f3n de la primera, pues a\u00f1ad\u00ed la misma primera voz como segunda voz, s\u00f3lo que trasladada. Y el c\u00f3digo para la primera voz, lo","_links":{"self":[{"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/posts\/382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/comments?post=382"}],"version-history":[{"count":4,"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/posts\/382\/revisions"}],"predecessor-version":[{"id":505,"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/posts\/382\/revisions\/505"}],"wp:attachment":[{"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/media?parent=382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/categories?post=382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ofeliayorquesta.com\/blog\/wp-json\/wp\/v2\/tags?post=382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}